خلاصه داستان : داستان عشق قرون وسطایی با ماجراهای فراوان. روزگار آشفته است - شورش دهقانان در جریان است. یک صومعه برای حفظ امنیت خود به دنبال یادگارهای یک بریژیت مقدس است. یک نجیب زاده قول می دهد اگر زیبا شد آن را به دست خواهد آورد ...

A medieval love story with lots of adventures. The times are troubled - there's a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A nobleman promises to get it if he gets beautiful Agnes as a reward. But she fells in love with a handsome adventurer. The monastery has to act shrewd now and play double game. The movie is still the best achievement of the Estonian cinema. Based on a novel.

خلاصه داستان : شاه لیر، پیر و خسته، پادشاهی خود را بین دخترانش تقسیم می‌کند و به اعتراض‌های عشقی آنها به او اهمیت زیادی می‌دهد. وقتی کوردلیا، جوان‌ترین و صادق‌ترین، از تملق بیهوده به پیرمرد در ازای لطف خودداری می‌کند، او را تبعید می‌کند و برای حمایت از دختران باقی‌مانده‌اش روی می‌آورد. اما گونریل و ریگان هیچ عشقی...

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

خلاصه داستان : هنگامی که پادشاه دانمارک ناگهان درگذشت ، پسرش ، ولیعهد هملت ، به خانه بازگشت و متوجه شد که عمویش کلادیوس تاج و تخت را غصب کرده و با مادر تازه بیوه هملت ازدواج کرده است. سپس ، یک شب ، روح پدرش از هملت دیدار می کند که به او دستور می دهد تا...

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.