خلاصه داستان : فیلمی درباره‌ی فیلمی که دو کارگر تلاش می‌کنند درباره‌ی نسبتِ سیاست و رسانه بسازند....

During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.

خلاصه داستان : در این مستند گدار و آنه ماری ملویل از فیلمهایشان می‌گویند..

Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.

خلاصه داستان : آیا هنوز به خاطر دارید که چگونه مدت ها پیش ، افکار خود را آموزش دادیم؟ اغلب ما از رویا شروع می کنیم. ما تعجب می کردیم که چگونه در تاریکی مطلق ، رنگهایی با چنین شدت در ما بوجود می آیند. با صدای ملایم و آهسته. گفتن چیزهای بزرگ امور تعجب آور ، عمیق...

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.