خلاصه داستان : پرتره ای سینمایی از زندگی و مسیر حرفه ای طراح معروف دستگاه اعدام و کشتار جمعی آمریکایی.

A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.

خلاصه داستان : در خلاصه فیلم Stratford Festival: Macbeth 2017 آمده است :

Antoni Cimolino’s chilling production of Macbeth takes you back to the stark reality of the 11th century, when the murderous king clawed his way to power. It has been praised as “a thrilling terror,” (Globe and Mail) “a bold and brutal take on the Scottish King’s tragic tale” (Toronto Star), and “a brilliant, terrifying show” that leaves people “gasping in the dark” (Chicago Tribune). Starring Ian Lake in “a galvanizing performance as an unusually young and sexually magnetic Macbeth” (New York Times) and Krystin Pellerin as “a standout Lady Macbeth … at once adorable yet devious” (Postmedia), this is a production that will haunt your dreams and leave you tingling. All hail Macbeth!

خلاصه داستان : کائوس ماریتوس اگرچه به عنوان یک رهبر نظامی نترس شهرت دارد ، اما در میان مردم پلبیان ، مردم عادی رم ، محبوبیتی ندارد ، که از استکبار او کینه دارند و او را با نخبگان طایفه ای برابر می دانند که به نظر آنها مسئول کمبود مواد غذایی فعلی است. مارتیوس به نوبه خود...

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).