خلاصه داستان : در جریان "سی و پنجمین جشنواره بین المللی فیلم کن" (14 تا 26 مه 1982) ، ویم وندرس کارگردان آلمانی از 15 کارگردان فیلم بین المللی دیگر درخواست کرد که هر یک به طور همزمان ...

During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"

خلاصه داستان : مستندی از گدار درباره ضبطِ آلبومِ جدیدِ یک گروهِ راک.

This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

خلاصه داستان : برداشت از مقاومت و انقلاب در آمریکا ، همانطور که در سال اصلی 1968 با مراجعه به کارگردان گدار ، در هر دو ساحل به ضرب گلوله کشته شد ، اما پس از تصاحب تکمیل نشد و نشان داده نشد...

Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.

خلاصه داستان : فیلمی درباره‌ی فیلمی که دو کارگر تلاش می‌کنند درباره‌ی نسبتِ سیاست و رسانه بسازند....

During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.

خلاصه داستان : در این مستند گدار و آنه ماری ملویل از فیلمهایشان می‌گویند..

Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.

خلاصه داستان : دو زن خانه دار در حین انجام کارهای خانه در مورد مضامین فلسفی (در واقع گفتگوی به روز شده افلاطون و سقراط) بحث می کنند ، شوهر یکی از آنها سهم خود را در یک نمایشنامه تمرین کرد ...

Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.

خلاصه داستان :

Though Godard got a little money from his family, he admitted that the money that went into Rivette’s film came from stealing and selling books from his grandfather Monod’s “Valérianum”. The film featured four actors: two women and two men, one of them Godard. According to Rivette, “It ran 40 minutes and nothing happens. It’s just four people sitting around a table, looking at each other. After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl.” (Richard Brody)

خلاصه داستان : بینشی در مورد نقش هنرمند در قرن های 20 و 21.

"We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I'll answer him next Friday. So, see you Friday, Robinson!" And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skilfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress?

خلاصه داستان : ژان لوک گدار سینماست، جوهر آن. او به تازگی 91 ساله شده و بیش از 140 فیلم ساخته است. به همان اندازه که او را می پرستیم از او متنفریم. هاله او از کجا می آید؟ البته از فیلم های افسانه ای، اما...

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

خلاصه داستان : تفسیر ژان لوک گودر و ژان پیر گورین از دادگاه شیکاگو هشت / شیکاگو هفت، که به دنبال فعالیت های اعتراضی سازمان ملل متحد در سال 1968 بود.

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

خلاصه داستان : در یک روز برفی زمستان شارلوت و والتر در یک روستا در سویس در حال قدم زدن هستند .والتر برای تحریک حس حسادت شارلوت، کلارا را به او معرفی میکند اما...

Two young people, Walter and Charlotte, are walking through a small village in Switzerland a snowy winter day. Walter introduces Charlotte to Clara, hoping to make Charlotte jealous. After saying good-bye to Clara, Walter accompanies Charlotte into her house, although she doesn't want him to. Charlotte is hungry and cooks a steak. She asks Walter if he wants a piece of it. He says no, but she gives him a small piece anyway. He wants a kiss, and she says no. She starts to compare herself with Clara, who Walter agrees is more beautiful. In spite of this, Walter says he likes Charlotte much more, but she thinks he is lying. She notices that he is cold and shivering. She hugs him, he kisses her, and she starts kissing him. After leaving the house he accompanies her to the train.

خلاصه داستان : یک مهندس معمار جوان که قول بهترین دستاورد ها به او داده شده بود، در می یابد که او بهترین سال های زندگیش را صرف خواسته های اجتماعی خود کرده است و تصمیم میگیرد ازدواج کند.

Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.

خلاصه داستان : هنگامی که زنی خیانتکار یک کت خز از معشوقه خود به عنوان هدیه دریافت می کند، باید راهی پیدا کنند که شوهرش از قضیه باخبر نشود.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband?

خلاصه داستان : زن جوانی که برای خوش گذرانی با یک غریبه وسوسه می شود...

Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.

خلاصه داستان : لی جولی مای کریس مارکر و پیر لوم LE JOLI MAI (ماه دوست‌داشتنی مه) پرتره‌ای از پاریس و پاریسی‌ها در ماه مه 1962، اولین بهار صلح پس از آتش‌بس با الجزایر و اولین بار در 23 سال گذشته است که فرانسه در هیچ‌یک از این‌ها دخالت نداشت. جنگ...

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

خلاصه داستان : در هفت بخش مختلف، گدار، کلاین، للوچ، مارکر، رنایس و واردا همدردی و حمایت خود را از ارتش ویتنام شمالی در طول جنگ ویتنام نشان می‌دهند.

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

خلاصه داستان : یکی از نوادگان شکسپیر سعی می کند نمایشنامه های خود را در جهانی که پس از فاجعه چرنوبیل که بیشتر تمدن بشری را از بین می برد بازسازی می کند، بازسازی کند.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

خلاصه داستان : چگونه یاد بگیریم؟ چه می دانیم؟ شب‌ها پس از شب، اندکی قبل از سپیده‌دم، دو جوان به نام‌های پاتریشیا و امیل روی صحنه‌ای با همدیگر ملاقات می‌کنند تا درباره یادگیری، گفتمان و مسیر انقلاب صحبت کنند

Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.

خلاصه داستان : گاسپار بازن، فیلمساز، در حال آماده سازی یک فیلم بلند جدید است، بنابراین نیاز فوری به تامین بودجه دارد. و اگرچه او از یک تهیه کننده مد درخواست کمک کرد

An absurdly brutal and minimalist examination of the desperate search for financial backing by two small-time filmmakers, 'Rise and Fall' is knowingly self-referential, sad, and appropriately enough, a film shot on a miniscule budget in 16mm. Based on a novel by James Hadley Chase, with script by Jean-Luc Godard.

خلاصه داستان : آن گوپیل دانشجوی ادبیات در پاریس در سال 1957 است. برادر بزرگتر وی ، پیر ، وی را به مهمانی یکی از دوستانش می برد که در آن مهمانان شامل فیلیپ کافمن ، یک آمریکایی تبار فراری از مک کارتیسم و جرارد لنز ، یک کارگردان تئاتر است که با زن مرموز تری وارد می...

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

خلاصه داستان : در طول جنگ الجزایر ، زن و مردی از طرف مخالف عاشق یکدیگر می شوند.

During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist group meet and fall in love. Complications ensue when the man is suspected by the members of his terrorist group of being a double agent.

خلاصه داستان : تحلیلی بر روابط قدرت در خانواده ای معمولی

Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a young working-class couple lives in a claustrophobic, high-rise apartment complex and marital discord is set off by the wife’s infidelity.

خلاصه داستان : آیا هنوز به خاطر دارید که چگونه مدت ها پیش ، افکار خود را آموزش دادیم؟ اغلب ما از رویا شروع می کنیم. ما تعجب می کردیم که چگونه در تاریکی مطلق ، رنگهایی با چنین شدت در ما بوجود می آیند. با صدای ملایم و آهسته. گفتن چیزهای بزرگ امور تعجب آور ، عمیق...

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

خلاصه داستان : "نوت موسیقی" به سه پادشاهی تقسیم می شود: جهنم ، تمساح و بهشت مانند در دوزخ دانته در کمدی الهی. جهنم فیلم بسیاری از جنگ ها را نشان می دهد. تمیز آمیز واقعیت و داستان را در سارایوو مخلوط می کند. و بهشت یک نمای سورئالیستی از ساحل "محافظت شده" توسط تفنگداران دریایی آمریکاست

Divided into three “kingdoms” — Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) — Notre Musique is an indictment of modern times.